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Circumnutation, An Exhibition of New Work by Colin McIntyre

12439354_852097324915766_7109762876618156558_nOpening Reception – June 16th from 7 to 10pm

Darwin defined the concept of circumnutation in 1865 to describe the motion of growing stems and tendrils.  Climbing plant species seeking supports, reaching up and reaching down for connection.  Forms leading into each other, pulsing with the tension of one thing almost touching another.  

‘Circumnutation’ is a brief moment of gravity, anticipation, weight and weightlessness.  Suspension.  An ode to the creeping and climbing plants of this world.  Intertwining tendrils reach for each other.  Lightness and physical engagement are inevitable.

Since establishing his full time professional studio practice in 2001, McIntyre has received three public art grants to create large-scale monumental works.  His most notable accomplishments of large-scale site specific sculpture include Arboreal Passage at the Austin Nature and Science Center and Emergence at the Houston Center for Contemporary Craft. He was awarded a grant from the Texas Biennial in 2009. His work has been featured in the Museum of Vordingborg, Denmark, The Ogden Museum of Southern Art, New Orleans, and the People’s Gallery at Austin City Hall, among many others.  His recent work has been focused on two solo exhibitions funded by the COA Cultural Arts Division, ‘Shrine of Inevitable Forces’ and ‘Last Depot Before Desolation.’

Much of his work has dealt with imagined species of plant and marine life. These works analyze taxonomy, the science of cataloguing species of life. McIntyre grew up steeped in the academic sciences, which greatly influenced the aesthetic perspective of his work.